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Kite

Top 10 TV shows most likly to get sarah conner'ed

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if you dont know what i mean by getting ''sarah connor'ed'' watch this:

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10. Without a Trace / Cold Case

These two procedurals pull in 10 million-plus viewers regularly, so why are they on the chopping block? Well, CBS--America's most watched network--has different standards than others... CBS is used to HUGE numbers and doesn't settle for less. As previously reported, rumor is CBS is looking to cut costs in a big way, and that means these two may not return.

Prognosis: With CSI, NCIS, and The Mentalist well over 15 million viewers, these two have near-impossible standards to keep up with. Not looking great.

9. Knight Rider

The last we heard about this show is it was undergoing a massive overhaul... but that was late last year. Cast members were cut, and the main story is supposed to simplify and harken back to the classic Knight Rider. Jay Leno's primetime talk show is going to kill a lot of NBC programs, and this pricey action show and ratings drag will probably be one of them.

Prognosis: We're not even sure how this got on television in the first place. But then again, NBC doesn't make the wisest decisions.

8. In the Motherhood

Just a few days after its premiere, In the Motherhood saw its initial order cut by more than half from 13 episodes to just six. Yikes. The debut numbers weren't great, but with ABC's full plate of shows this season and promising pilots next season, the network can afford to be extra picky now.

Prognosis: Throwing single moms out on the street isn't nice, but it is business. A goner unless ratings jump drastically.

7. Terminator: The Sarah Connor Chronicles

Fox absolutely loves Terminator... but Fox also absolutely hates poor ratings. However, Terminator has one great thing going for it--McG's Terminator: Salvation opens in theaters in May. If it's a hit, it could restrengthen the brand and give this promising show new life.

Prognosis: It sounds silly to say a TV show's fate relies on a movie's performance, but let's face it--the television industry is as wacky as they come.

6. My Name is Earl

NBC has milked this cow for almost all its worth (even die-hard fans will admit that seasons one and two were much better than the more recent seasons), and the network would love to throw something fresher in to strengthen its comedy block that's anchored by The Office. But Earl, on the expensive side of things as far as half-hour comedies go, still has some laughs left in the tank.

Prognosis: As Deadline Hollywood notes, Fox (which produces the show) may actually turn around and scoop up the show--which is close to having enough episodes for syndication. NBC may give up on it, but Fox stands to make a lot of money if it sticks around a bit. But if Parks & Recreation tanks, Earl may stick around NBC.

5. Kings

Kings is totally original, looks fantastic, and has some great acting talent. But nobody watches it. NBC is cutting costs left and right, so the chances of this epic (and expensive) drama coming back are minimal. Another victim of the falling economy and the Jay Leno effect.

Prognosis: This does have a chance if... who are we kidding? Checkmate--Kings falls.

4. Castle

ABC's Castle has had a pretty decent start. However, how much of that is due to being in the slot right behind Dancing with the Stars? Given the viewer erosion the show goes through in its second half-hour, lots. Another thing Castle has going against it--ABC is chock full of options just waiting for a spot on the schedule. On the other hand, the show isn't bad and hasn't lost as much of its audience as one would expect.

Prognosis: Star Nathan Fillion tells TV.com that ABC is really behind this show. At this point in time, it's looking 50/50.

3. Reaper

Hey, Reaper is awesome. You know it, I know it, The CW knows it. But the paranormal comedy is pulling in dreadful numbers. The CW saved this show from death once... it won't do it again, sadly. Even Tyler Labine, who plays Sock, seems to know it and has booked another gig.

Prognosis:Reaper has a slim to none chance of returning.

2. Dollhouse

The heavily hyped show from Joss Whedon has fallen on its face in the ratings department (last week's episode drew less than four million). Despite slight improvement in quality (the "game-changing" episode six was better, but still disappointing), Dollhouse just doesn't seem to have what it takes to draw an audience, even from faithful Whedonites. There's a solid foundation for a great show here... can Joss realize its potential?

Prognosis: Not looking good. But if Terminator can squeak out a deal, maybe it will take Dollhouse with it. One positive sign: the DVR stats for the show are great.

1. Chuck

NBC's Chuck is this year's "little show that could." You want it to succeed, it tries really hard, but it just can't seem to get over the edge and become a hit. NBC adores this action-comedy (we do too), so hopefully they can pull some sort of deal to save it like they've done before with another little show that could--Friday Night Lights.

Prognosis: Jay Leno is taking five of NBC's 5 primetime hours next season. Unfortunately, we think Chuck's hour

ill miss My Name is Earl and Reaper. sadly sarah conor chronicles is butchering camerons original brillience, would wave bye to that how and have it deleated from history with a UN law that prohibits it being mentioned

Edited by Kite

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Bruce Campbell: '' This place has more security then the Batcave ''

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from yahoo http://tv.yahoo.com/blog/the-10-shows-that-deserve-to-return-next-fall-but-might-not--228

1. "Chuck"

In short, this show is clever, all-around fun, with a great cast, stellar writing and lots and lots of heart. And Chuck and Sarah may be the TV couple we most enjoy seeing almost hook up, but not quite. Save that for season five or six.

2. "Life"

Charlie Crews, the fruit-loving L.A. detective with a Zen attitude, has become one of our favorite TV cops ever in just under two years, thanks to Damian Lewis' deceptively placid, quirky charisma. This season, the weekly cases got more creative, the supporting cast got stronger (partly due to the addition of Donal Logue and Gabrielle Union) and the underlying conspiracy plot got twistier.

3. "Fringe"

We tuned in because of Joshua Jackson, stuck around despite a slightly sluggish start, and were finally rewarded with some fun science fiction. We're just getting to the interesting mythology, and we're finally warming up to Anna Torv, mostly because she kicks butt. It's a little bit of Alias and a little bit of "X-Files", with some really gross/awesome monsters of the week, and just turning out to be a pretty enjoyable action series.

4. "Better Off Ted"

We need a good workplace comedy to make us laugh again, since "The Office" has been disappointing us lately. This one is more akin to "Andy Richter Controls the Universe" and is filled with that quirk and innate silliness that turns off the general public who prefer the more straight-forward sitcoms like "Rules of Engagement".

5. "Dollhouse"

We're still iffy on this show, but it took a while for "Angel" to really hit its stride, too. Even "Buffy" had some less-than-stellar first season episodes. Perhaps that's just part of Joss Whedon's style. It seems like Joss and Co. are making an active effort to work out the kinks to really get this series to meet the high standards his fans hold him to. It's getting there, but without a second season, we may never get to see that vision realized.

6. "Terminator: The Sarah Connor Chronicles"

We've already lost one show with robots this season with the end of "BSG". Don't take our other one away from us. We need some robots kicking butt to really round out our weekly TV viewing. Seriously though, we love the idea of this show and every time it starts to wear our patience thin with family drama, they hook us again with more cool Terminator technology.

7. "Kings"

This ambitious series is bringing a whole world to life, and the twisted tale just started to get really juicy, with backstabbing and dirty deals. It may be based in history, but this tale of a rich, powerful, corrupt monarchy has an epic feel about it that shouldn't be confined to just a few episodes. Plus, we're so grateful to have Ian McShane back in a starring role again; to take the show away now would just reopen our old "Deadwood" wounds.

8. "Rock of Love"

Sure, Bret said that this "Bus" installment was his last chance at finding love, but we're not sure we love, or even like, any of the girls that are left. He can do better than that, for sure. And even if he can't, it would be great for us to see him try, because there's something disgustingly engrossing about his sweet nature and the skanky girls who compete for him.

9. "Celebrity Apprentice"

"The Apprentice" was getting to be a tired format. The addition of celebrities makes it infinitely more interesting, and these last two seasons have succeeded in making us actually enjoy this franchise again. But apparently we're in the minority, since the ratings are shrinking. Perhaps the problem is that they need a higher profile of celebrities to draw more viewers in the future, although the C-listers and sports stars (aside from Dennis Rodman) seem to be a scrappier bunch, willing to do what it takes to get 15 more minutes of fame.

10. "Southland"/"The Unusuals"

Neither of these shows have even premiered yet, but while they both have promising pilots that have us hooked, it is unlikely that they'll actually last. "Unusuals" has police cases with a healthy dose of comedy, which might be a little too oddball for the general public. And "Southland" is twisted and gritty, but with NBC's new schedule next fall, there's not really a lot of space for this show that needs to be in the 10 PM hour. We like them, but we're worried that they're doomed before they started.


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Bruce Campbell: '' This place has more security then the Batcave ''

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I don't watch of the sitcom stuff......

I watch Celeb Ap cuz I just love Joan Rivers :P (and its on Sunday so it doesn't clash w/ my m-f prime times stuffs)


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